Kolangal
Its been a while since I saw this episode of Kolangal, that great mega-serial, but since it left an indelible impression upon me, I thought it is best that I record it in this manner.
I happenned to be at my cousin's place on that crucial day and hence got the opportunity to see the historic episode (since all I get to see in my house is Pokemon, Digimon and other wierd Japanese cartoons). This is the episode in which the woman, whose husband abandoned her (although one school of thought asserts that he didn't really abandon her as she had left the place by the time he came back from Bombay; however, since my sympathies are usually with the women in such issues, and such issues alone, I pointed an accusatory finger at one elderly gentleman who participated in the discussion- and belonged to this school of thought- and accused him of, among other things, a patriarchal mindset and chauvinism, after which he gave me a wounded look and refused to participate in the discussion thereafter), abandoned her and later 'linked his lot' with another woman, had kids and at some point became rich.
Now the main character is the deserted (yes, I vehemently reject the alternate view) woman's daughter - ravishing beauty, keen intellect, gentle disposition, compassion for fellow creatures (to a fault), to mention a few of her attributes - and she is having some problem with her step brother but nobody except the father knows that the heartless guy is indeed her step brother.
So the heart-broken mother seeks out the heartless guy's father, since he is known for his kindness and 'nalla manasu', so as to ensure her daughter is no longer troubled. The wily man sees her before she enters the office and so he immedietely tells his secretary that he is busy and that he will not see anybody. The indiscreet, not to mention ill-mannerred secretary tells the mother that 'sir' is not in town although just a few moments before, she had informed the mother that 'sir' would meet them (mother and son) soon. Shamless! A blot on the fair race of secretaries!
Anyway nobody but me seemed to care, the mother included. Moving on, the mother then gets into the auto but soon she realizes that she left her handbag at the office. So off they go (the automan and the mother), with the automan (a little too friendly) donning the role of a reassuring son, unasked. If I were her I would have been shocked at the way the man was driving but the mother was a complex woman - although she had a sad face and spoke incessantly about her innumerable worries, such matters hardly affected her.
The mother walks to the sofa and retrieves her handbag (after obtaining the permission of the horrible secretary; the mother was infact polite to the totally undeserving woman. A complex character indeed). And now for the climax.
The husband escorts a seedy looking client to the door when they see each other. The director goes beserk now - he shows only the eyes of the estranged couple. What emotion! All the husband could manage was a sheepish grin (I don't think he intended that) and a shifty look (which,if I may say so, was always there so not particularly relevant for this all important scene). The mother/wife made up for the complete lack of effort (both in this context and according to the story) on her husband's (or whatever you call that relationship) part. Her eyes first became large, to show shock or amazement I suppose. However, something went wrong - her eyes seem to continue growing larger. That her eyeballs may actually pop out did not seem impossible at one point. The camera continued to shift from one pair of eyes to another - one showing no discernable emotion and the other seemed as though they had been artificially enlarged in order to perform an eye surgery - for an unreasonable amount of time; the director seemed to have no pity on the viewers whatsoever.
Yet, the inadequacies (by no means substantial) of the actors notwithstanding, the atmosphere that was created ensured that there was complete silence - only the fascinating music of Kolangal could be heard for miles. And why not? It was a brilliant scene. One was so moved that one felt tears rolling down one's cheek. I sincerely hope Sun T V telecasts this particular show again for the benefit of all those who unfortunately missed it.
And so this was another twist in the grand saga that is Kolangal.
I happenned to be at my cousin's place on that crucial day and hence got the opportunity to see the historic episode (since all I get to see in my house is Pokemon, Digimon and other wierd Japanese cartoons). This is the episode in which the woman, whose husband abandoned her (although one school of thought asserts that he didn't really abandon her as she had left the place by the time he came back from Bombay; however, since my sympathies are usually with the women in such issues, and such issues alone, I pointed an accusatory finger at one elderly gentleman who participated in the discussion- and belonged to this school of thought- and accused him of, among other things, a patriarchal mindset and chauvinism, after which he gave me a wounded look and refused to participate in the discussion thereafter), abandoned her and later 'linked his lot' with another woman, had kids and at some point became rich.
Now the main character is the deserted (yes, I vehemently reject the alternate view) woman's daughter - ravishing beauty, keen intellect, gentle disposition, compassion for fellow creatures (to a fault), to mention a few of her attributes - and she is having some problem with her step brother but nobody except the father knows that the heartless guy is indeed her step brother.
So the heart-broken mother seeks out the heartless guy's father, since he is known for his kindness and 'nalla manasu', so as to ensure her daughter is no longer troubled. The wily man sees her before she enters the office and so he immedietely tells his secretary that he is busy and that he will not see anybody. The indiscreet, not to mention ill-mannerred secretary tells the mother that 'sir' is not in town although just a few moments before, she had informed the mother that 'sir' would meet them (mother and son) soon. Shamless! A blot on the fair race of secretaries!
Anyway nobody but me seemed to care, the mother included. Moving on, the mother then gets into the auto but soon she realizes that she left her handbag at the office. So off they go (the automan and the mother), with the automan (a little too friendly) donning the role of a reassuring son, unasked. If I were her I would have been shocked at the way the man was driving but the mother was a complex woman - although she had a sad face and spoke incessantly about her innumerable worries, such matters hardly affected her.
The mother walks to the sofa and retrieves her handbag (after obtaining the permission of the horrible secretary; the mother was infact polite to the totally undeserving woman. A complex character indeed). And now for the climax.
The husband escorts a seedy looking client to the door when they see each other. The director goes beserk now - he shows only the eyes of the estranged couple. What emotion! All the husband could manage was a sheepish grin (I don't think he intended that) and a shifty look (which,if I may say so, was always there so not particularly relevant for this all important scene). The mother/wife made up for the complete lack of effort (both in this context and according to the story) on her husband's (or whatever you call that relationship) part. Her eyes first became large, to show shock or amazement I suppose. However, something went wrong - her eyes seem to continue growing larger. That her eyeballs may actually pop out did not seem impossible at one point. The camera continued to shift from one pair of eyes to another - one showing no discernable emotion and the other seemed as though they had been artificially enlarged in order to perform an eye surgery - for an unreasonable amount of time; the director seemed to have no pity on the viewers whatsoever.
Yet, the inadequacies (by no means substantial) of the actors notwithstanding, the atmosphere that was created ensured that there was complete silence - only the fascinating music of Kolangal could be heard for miles. And why not? It was a brilliant scene. One was so moved that one felt tears rolling down one's cheek. I sincerely hope Sun T V telecasts this particular show again for the benefit of all those who unfortunately missed it.
And so this was another twist in the grand saga that is Kolangal.
